Who can know what is in the past? Is it what historians can tell us? Should we also trust what we can remember? “Past • An Introduction to the Problem” proposes that the problem of the past now concerns everyone.

A readymade gesture Marcel Duchamp, one of the founders of avant-garde, in 1935 at the Councours Lépine, an innovation fair, exhibited a series of objects under titled *Rotoreliefs* – twelve cardboard litography discs with spiral motifs in the lithography technique. When rotating *Rotoreliefs* would engender optical illusions. Although he received an honorable mention in the […]

In this Saturday afternoon double-header presentation, two interventionists Cassie Thornton and Max Haiven, present their two radical imagination experiments HOLOGRAM and WORKER AS FUTURISTS exploring alternative practices of health and work within the present-day systems of commodified healthcare and labour in platform capitalism.

Not anymore, not yet: post-socialism presents itself as a temporal caricature. It presents itself as a floating historical state, stranded between negation and anticipation, between the past and the future.

Immersive audio-visual performance The Mirror by People Like Us

Post-performance discussion: Vicki Bennett, Olga Goriunova & Marcell Mars (moderated by Tomislav Medak)

This talk will discuss how Victorian novelists engaged materialist science and philosophy to transform the notion of “character” from the inner truth of an individual to an observable, material formation.

Starting with the first day of October the 8th /’fu:bar/ festival is endeavoring into a new sequence of new media art processes and errors within.

The artistic practice of Carlos Martiel critically explores the structural racism and political systemic historical violence against all socially marginalized bodies, black, female, sexually and gender non-normative, queer, immigrant bodies and generally stands as a condemnation of the dominant North American and Eurocentric discursive and social stigmatizations of otherness.