How should the education system be reshaped in order to prepare our students to be able to face an uncertain future, a changing future?

No greater hatred should be felt for a traitor to a nation than for a traitor to the common good, or for someone who abandons salvation in general for the sake of their own salvation and advantage.

– Cicero / Francesco de Miranda

THE ARMY CENTRE STAGE AGAIN The enormous protests of 30 June 2013 (June30) demanding the resignation of Muslim Brotherhood president Mohamed Morsi were the result of a year of intense economic and political crisis in Egypt. Political gridlock, collapsing investments, fuel shortages, a currency crisis, rising inflation and unemployment were followed by an unprecedented crime […]

Let every word indicate the most frightening of distances, it would still take billions of centuries, talking at one word per second, to express a distance which is only an insignificance when it comes to infinity.

Looking at nature under the categories of the commodity form, science affords precisely the technology on which hinges the controlling power of capital over production. It cuts up nature piecemeal by isolating its objects of study from the context in which they occur, ignoring nature in its importance as the habitat of society.

The argument of this essay is that the best way to theorise modernist art, now, is to consider its relation to the value-form, or, more specifically, to the temporal structure of that form’s anticipated overcoming in different phases of the development of the class relation under capitalism. What follows are notes towards a more thorough treatment of the problem.

We begin at the end, with the final sentence of Christian Bök’s ‘The Piecemeal Bard Is Deconstructed: Notes Toward a Potential Robopoetics’: a fascinating series of pensées regarding the writing machine RACTER, ‘an automated algorithm, whose output confounds the metaphysics of authorship, refuting the privileged uniqueness of poetic genius.

On 18 March 2014, cultural activist Teodor Celakoski from Zagreb and Teatro Valle Occupato, a large group of cultural workers and citizens who revitalised an ancient theatre in Rome as a space of commons, will be presented with the sixth ECF Princess Margriet Award.